Rhiannon Hall's Blog (11)

The process and the poem: An interview with local poet Rhiannon Hall

Bellow is a lovely write up of me, by my friend Chloe Higgins. Thank you Chloe for offering to interview me and for representing me and my writing so well!



This interview first appeared in Tertangala: UOW's Student Magazine: The F-Word (2013)



Who do you write for?”
A couple of days earlier, I had sent Rhiannon a list of more than 15 questions. She sent me her response shortly after. It totalled over 2,000 words.
As we walked…
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Added by Rhiannon Hall on April 24, 2013 at 12:56 — No Comments

Writing the Sacred conference

The day begun with an Acknowledgement of Country by Aunty Ruth Bryant, who also tickled our taste buds with a poem of hers.

The event organisers Michael Griffith and Elaine Lindsay in their introduction to the day flagged Francis Webb as one of Australia's best place-based writers. Webb explores the sacred through the representations of 'nature' in his literature. They also mentioned Richard Kearney's research on the…
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Added by Rhiannon Hall on September 27, 2012 at 1:14 — No Comments

Occam's Aftershave

John Watson's collection Occam's Aftershave was a delight to read. Watson's poetry is philosophical and the major theme of this collection is poetry; the forms of poetry and the relationship that readers have with poetry.



I was in love with his writing style from the first poem, which I heard him read at the Carrington Hotel in Katoomba. 'To the Faithful Reader' is a poem full of wit. Taunting us as readers, "...if you believe this you'll believe / Anything, and are thereby…

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Added by Rhiannon Hall on September 25, 2012 at 0:00 — No Comments

A Feather in My Hair

Heather Murray Tobias situates her poems, in the collection 'A Feather in My Hair', within specific places. Below each poem in this collection the place and date that the poem was produced is stated. This is not a technique I’ve previously seen in a poetry collection, but I thoroughly enjoyed. In my honours thesis this year I have been exploring how representations of place are constructed in contemporary poetry. It is clear that place is important to Tobias.



The book begins…

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Added by Rhiannon Hall on September 14, 2012 at 0:40 — 1 Comment

Our Literary Heritage: What role do the classics play in our culture?

A panel consisting of Shane Maloney, Wayne Macauley, John Tranter and Susan Wyndham, Chaired by Jane Gleeson-White discussed 'Our Literary Heritage: What role do the classics play in our culture?' at the Byron Bay Writers' Festival.



John Tranter defined the classic, in Latin - classicus, a work of superior literature.



Tranter said that: "classics can change your life".



The panel discussed Michael Hayward's Text Publishing Classics. Hayward believes his 30…

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Added by Rhiannon Hall on August 29, 2012 at 13:39 — 1 Comment

The Future of Reading

The Byron Bay Writers' Festival session titled 'The Future of Reading' featured James Cowan, Andy Griffiths, Rhoda Roberts and Vikki Wakefield.



Andy Griffiths believes that "all text stories still have their own appeal, and win!" By all text stories Griffiths is talking about children's books that don't contain pictures. He believes that this is because 'all text stories' "allow for imagination!"



I was startled by the figure shared in this panel - "46% of Australians…

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Added by Rhiannon Hall on August 26, 2012 at 20:57 — No Comments

Southern Highlands Writers' Festival

Saturday the 21st of July I headed off to the inaugural Southern Highlands Writers' Festival. It was a great day, with the highlight being Paula McLean's conversation with Mark Tredinnick titled 'Poetry in Motion'.



Paula began the chat describing poetry as like a window to the world, which Mark responded, "well a window is the obvious place for one to observe the world from". Tredinnick then read out his poem 'Catching Fire; or, The Art of Sitting', which is coming out in…

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Added by Rhiannon Hall on August 25, 2012 at 10:14 — No Comments

"My whole life an addiction to country, falling forever for places"

Congratulations Mark Tredinnick for winning the 2012 Cardiff International Poetry Prize. The ‘Margaret River Sestets’ is another example of Tredinnick’s poetic ability.
The word ‘sestets’ in the title suggests that the poem will be sophisticated; few people write sestets (six lined stanzas). Juxtaposing this is the informal, conversational voice that tells of place, flora, fauna and broken relationships. I will get back to the juxtapositions within this poem shortly. The poem…
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Added by Rhiannon Hall on July 20, 2012 at 1:03 — No Comments

Round Table Discussion with Anna Kerdijk Nicholson

Thank you to everyone who joined Anna Kerdijk Nicholson and I at Gilbert's of Mittagong yesterday for a chat about her poetry; the what, how and why.



Anna Kerdijk Nicholson currently holds a position on the Board of Directors of Australian Poetry and was previously an editor for Five Bells. Along with Anna's contributions to the Australian poetry writing community, she has published two books of poetry, the first of which, The Bundanon Cantos, was mentioned in the…

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Added by Rhiannon Hall on July 8, 2012 at 13:00 — No Comments

The Secret Life of Poetry

On the 19thof May I sprang out of bed, printed out a selection of my poems and headed to the State Library of NSW. With my precious poems clung to my chest I found my way to the Mitchell Meeting Room and made myself a cup of tea in anticipation of a day workshopping with David Brooks. Fifteen eager poets sat down to learn ‘the secrets of poetry’.

Brooks gave us some excellent advice such as, if you are interested in writing poetry you should be reading it. This is…
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Added by Rhiannon Hall on July 4, 2012 at 11:37 — 2 Comments

Some musings about Southerly

Southerly is a journal that aims to publish and promote the study of new Australian literature; “Southerly is to serve the cause of literary art, of scholarship (in its broader manifestations), of literary criticism, and, through these as well as by means of direct report and comment, of the Australian English Association” (Southerly, vol., no.1, 1939, p3). Southerly emerged with the start of Australia’s involvement in World War II; “[a] war must not mean the…
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Added by Rhiannon Hall on March 22, 2012 at 9:15 — No Comments

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